Monday, October 22, 2012

Our first New Mexico shooting location: Toadlena Trading Post and the magnificent Navajo weavings of the Two Grey Hills

Interviewing Mark Winters owner of Toadlena Trading Post

Mark and Linda Winters graciously put us up at Toadlena Trading Post and Museum in Toadlena, New Mexico while we shot a segment on them and their work with the highly respected Navajo weavers of the Two Grey Hills. I highly recommend a visit to this historic trading post. Not only will you see an active trading post but the weavings of the Toadlena/Two Grey Hills are famous for the their beauty and their finely spun and woven craftsmanship and design. The weavers of the Two Grey Hills are held in high esteem for achieving a standard that others strive to reach. Mark and Linda put in long and demanding hours promoting not only the master weavings of deceased weavers but also the up and coming generations and help them to sell their weavings at prices these exquisite weavings richly deserve so that the weavers of Toadlena/Two Grey Hills can continue their tradition and make much deserved income. 
One of the beautiful grandmothers came in with a weaving she had just completed to show Mark. He purchases their weavings for sale at the trading post and documents each one with a photograph of them with their weaving that they take home as well as him maintaining a record. 
More about some of the weavers in my next blogpost. Mark keeps extensive records of all the weavings and their lineage from the different families of the Toadlena/Two Grey Hills. He has written a voluminous book which he spent over 23 years on as an amazing labor of love, that chronicles the history and shows an extensive record of the weavers starting with Navajo grandmothers, some of whom have passed on and those still living and the legacy of weaving that continues with their descendants. Here is more information on the book and how to buy it.


I also highly recommend a trip to the trading post where you can purchase the book and see and purchase the weavings in person. They also mount shows in the museum attached to the post. Not only is the post full of the wonderful weavings of the Toadlena/Two Grey Hills but it is also a vital trading post that sells food and other necessities to the locals. On a busy day you will also see many of the weavers coming in to sell their latest weavings to the trading post or locals purchasing necessities. 
The beautiful subtle palette of the weavings of the Toadlena/Two Grey Hills weavings come from  the undyed natural wool. Carding (combing or blending) various colors together creates additional shades broadening the range and palette of color. 
The Two Grey Hills

Stay tuned for more about our trip and shooting at Toadlena/Two Grey Hills and some of the weavers on upcoming blog posts.

Toadlena Trading Post operates in the same way trading posts have since the 1870s—directly with the weaver and her family. You are offered the unique opportunity to acquire a textile of timeless beauty, acknowledged excellence and lasting value.
The Navajo weaver is following the “Path of Beauty” with a skill passed down from Spider Woman. We invite you to visit the Toadlena Trading Post in New Mexico or follow the progress of the weavers on our web site.

A map to Toadlena Trading Post:
Directions: From Gallup, drive 1 hour north on Hwy 491 (old 666).
Take the 2nd entrance to Toadlena at the Shell Gas Station.
Follow the signs from the Shell Gas Station.
  1. Farmington
  2. McGee Park & Coliseum
  3. Aztec Ruins National Monument
  4. Salmon Ruin & San Juan Archaeological Center
  5. Navajo Lake State Park
  6. Angel Peak Recreation Area
  7. Bisti Wilderness
  8. Chaco Culture National Historical Park
  1. Shiprock Pinnacle
  2. Window Rock Navajo Tribal Park
  3. Canyon de Chelly National Monument
  4. Monument Valley
  5. Four Corners Monument
  6. Mesa Verde National Park
  7. Durango & Silverton Narrow Gauge Railroad
Toadlena Trading Post
P.O. Box 8014
Newcomb, NM 87455



Sunday, October 7, 2012

Earth Chronicles Project Oklahoma exhibition at the Mabee-Gerrer Museum of Art

Entrance to the exhibition


Our exhibition 'Earth Chronicles Project, The Artist's Process: Oklahoma' opened September 14th and is running until October 28th at the Mabee-Gerrer Museum of Art in Shawnee, Oklahoma. http://www.mgmoa.org

Our documentary of the same name is still airing on Oklahoma PBS. The next airing is October 12th at 10am and 3 pm on their OKLA station.

Below is a visual walk through of the exhibit which contains artists interviewed in the documentary and an installation on the trees and native plants of Oklahoma by co-producer, curator and environmental artist, Fran Hardy.


The artists included in the exhibition are Jeri Redcorn, Caddo potter, Grace Grothaus's synthetic and interactive landscapes, Jack Bryan and Katherine Liontas-Warren and their very different depictions of the Wichita Mountains, Dr. Ian Thompson, Choctaw pots and traditional arts, Sue Folsom, Choctaw beadwork, Kim Baker, conservation photographer and Fran Hardy, environmental artist.

Installation on the trees of Oklahoma with Jeri Redcorn's pots in case to right and Choctaw dress by Sue Folsom to the left with charcoal drawings by Katherine Liontas-Warren on back wall

View of case containing Choctaw work by Dr. Ian Thompson and Sue Folsom with Grace Grothaus's work to the right


Keystone Ancient Forest and Quintus's River Birch by Fran Hardy

More trees of Oklahoma by Fran Hardy

Jack Bryan's work with display of his painting and drawing tools

Kim Baker's photographs of rivers and waterways of Oklahoma



Jeri Redcorn's pots and Fran Hardy's trees and native plants


Grace Grothaus:
Jeri Redcorn:
Kim Baker:
Dr. Ian Thompson, Sue Folsom:
Jack Bryan:
Katherine Liontas-Warren:

Some special places depicted in the exhibition:
The Wichita Mountains are located in the southwestern portion of the U.S. state of Oklahoma.[1] The mountains are a northwest-southeast trending series of rocky promontories, many capped by 540 million-year old granite. These were exposed and rounded by weathering during the Permian Period. The eastern end of the mountains offers 1,000 feet (305 m) of topographic relief in a region otherwise dominated by gently rolling grasslands.

Keystone Ancient Forest/Crosstimbers
For another day on top of the centuries that have come and gone, the winter trees of the Keystone Ancient Forest Preserve raise their twisted branches against whatever might come of this latest weather assault sweeping across Lake Keystone.
Ice? Fire? Drought? This ancient forest is made of tougher stuffthan most people know. These hard-crusted trees, some of them 300, 400, even 500 years old, stand as a sage army of post oaks and redcedars, undisturbed, unyielding, less than 15 miles from Tulsa, marking the gateway from the deciduous forests of the East to the prairies of the West.
Fortunately, the craggy terrain has left developers unwilling or unable to tackle the area. Some of these trees have had their tops knocked off by wind or broken by ice some time over the passing centuries. But they'd be here, lush in the spring, painted in the fall or bare in winter when visitors can see through the maze of branches over the high bluffs on windy days and watch cloud shadows chase sun streaks across the lake below.
The Illinois River which begins in Arkansas and extends into Oklahoma:


The Illinois River is a 145-mile-long (233 km)[1] tributary of the Arkansas River in the U.S. states of Arkansas and Oklahoma. The Osage Indians named it Ne-eng-wah-kon-dah, which translates as "Medicine Stone River." The state of Oklahoma has designated its portion as a Scenic River.

Four Canyon Preserve:


The Conservancy's Four Canyon Preserve encompasses 4,000 acres of mixed-grass prairie, rugged canyons, and floodplain along the Canadian River in southern Ellis County. Scenic prairie ridges traverse the landscape, dissected by deep chinquapin oak-lined canyons draining to the river. These prairies provide habitat for a number of rare grassland birds, such as Cassin's sparrow and Swainson's hawk, and additional species of concern including reptiles like the Texas horned lizard, as well as numerous state-rare plants. The cool, wooded canyons stand in contrast to the surrounding prairies, and provide habitat for birds like red-bellied woodpecker and painted bunting. The Canadian River on the preserve provides habitat for the federally endangered least tern, the threatened Arkansas River shiner, as well as stopover habitat for migratory shorebirds including the sandhill crane.

Tallgrass Prairie:
The Tallgrass Prairie Preserve, located in Osage County, Oklahoma near Foraker, Oklahoma, is owned and managed by The Nature Conservancy. It is protected as the largest tract of remaining tallgrass prairie in the world. The preserve contains 39,000 acres (160 km2) owned by the Conservancy and another 6,000 acres (24 km2) leased in what was the original tallgrass region of the Great Plains that stretched from Texas to Manitoba.
The Tallgrass Prairie Preserve is the largest protected remnant of tallgrass prairie left on earth. Originally spanning portions of 14 states from Texas to Minnesota, urban sprawl and conversion to cropland have left less than 10% of this magnificent American landscape. Since 1989, the Conservancy has proven successful at restoring this fully-functioning portion of the tallgrass prairie ecosystem with the use of about 2500 free-roaming bison and a "patch-burn" model approach to prescribed burning.








Thursday, September 6, 2012

Earth Chronicles Project: Oklahoma opening of exhibit and airing on PBS

In the culmination of an enormous amount of work on our part as well as the museum, our Earth Chronicles Project, The Artist's Process: Oklahoma, our exhibition of the artists interviewed in the documentary and an installation on the trees of Oklahoma by environmental artist, curator of the exhibit and co-producer, Fran Hardy opens at the Mabee-Gerrer Museum of Art in Shawnee, OK September 14th at 7pm. There will be a reception and many of the artists will be in attendance. You are invited to come. http://www.mgmoa.org/

The documentary on the art, ecological sustainability and cultural preservation in Oklahoma which drives the exhibition will be airing on OETA, Oklahoma PBS September 13 at 7pm and September 14 at 5am. Be prepared to see many places and people you may never have dreamed would have been in this far more diverse state than most people realize. http://www.oeta.tv/

Four Canyon, 44" x 48", oil over egg tempera, watercolor, graphite and acrylic
by Fran Hardy copyright

In a diversion from the rest of my pieces in the show this one celebrates the unique ecology and native plants of the Nature Conservancy's Four Canyon Preserve near Leedey, OK. Some of my pieces included in the exhibition, show trees that I discovered in other Nature Conservancy Preserves such as Treebeard Lives in the Tallgrass Prairie and Keystone Ancient Forest. http://www.franhardy.com

We have an exciting roster of artists in the show including Grace Grothaus and her synthetic landscapes utilizing modern technologies, Katherine Liontas-Warren and Jack Bryan who depict and celebrate in very different ways the rocky landscape of the Wichita Mountains, Jeri Redcorn, who revived the pottery tradition of her Caddo ancestors, Kim Baker, conservation photographer who uses her work to bring attention to the plight of Oklahoma waterways, Dr. Ian Thompson, Choctaw archaeologist and Sue Folsom who keep the Choctaw culture alive through their work based on traditional Choctaw pottery, beadwork and objects that have been used in their culture. All of these artists are innovative and masters of their craft as well as keeping important culture alive in Oklahoma while referencing what makes their state so unique and diverse. 

 Grace Grothaus http://www.ggrothausart.com/
 Katherine Liontas-Warren http://katherineliontas.com/index.html

Details from my painting Four Canyon that show you the various native plants, a vista from the preserve and patterns based on Kiowa-Apache beadwork and designs
copyright Fran Hardy






The Conservancy's Four Canyon Preserve encompasses 4,000 acres of mixed-grass prairie, rugged canyons, and floodplain along the Canadian River in southern Ellis County. Scenic prairie ridges traverse the landscape, dissected by deep chinquapin oak-lined canyons draining to the river. These prairies provide habitat for a number of rare grassland birds, such as Cassin's sparrow and Swainson's hawk, and additional species of concern including reptiles like the Texas horned lizard, as well as numerous state-rare plants. The cool, wooded canyons stand in contrast to the surrounding prairies, and provide habitat for birds like red-bellied woodpecker and painted bunting. The Canadian River on the preserve provides habitat for the federally endangered least tern, the threatened Arkansas River shiner, as well as stopover habitat for migratory shorebirds including the sandhill crane.
Biodiversity Threats in the area include habitat fragmentation and loss, invasive plant species such as eastern redcedar, saltcedar, and old world bluestem, hydrologic alteration, and incompatible land management practices.
What the Conservancy is doing now will restore ecological function and integrity to this landscape. Following an initial rest period, prescribed fire will be used to control the spread of invasive eastern redcedar and to manage the habitat for wildlife. Efforts are underway to remove exotic plants such as old world bluestem from native prairie areas and to clear saltcedar from the Canadian River floodplain.
The Plains Apache are a Southern Athabaskan group that traditionally live on the Southern Plains of North America and today are centered in SouthwesternOklahoma. The tribe is federally recognized as the Apache Tribe of Oklahoma.

Name

The Plains Apache are also known as the Kiowa ApacheNaʼisha, or Naishan Dene, meaning "Our People."[2] They also used the term Khat-tleen-deh or γát dìndé meaning "Cedar People" or Bay-ca-yeh meaning "Whetstone People". To their close allies, the much larger Kiowa tribe, although speaking a completely unrelated language, they were known as Semat meaning "Stealers." At major tribal events, the Kiowa Apache formed part of the Kiowa tribal 'hoop' (ring of tipis). This may explain why the Kiowa named the Kiowa-Apache Taugui meaning "Sitting Outside."[citation needed]

[edit]Government

Today the tribe is headquartered in Anadarko, Oklahoma. Their tribal jurisdictional area covers parts of CaddoComancheCottonGradyJeffersonKiowa, andStephens Counties in Oklahoma. Their current tribal chairperson is Louis Maynahonah.[1]
Tribal members must have a minimum blood quantum of 1/8 Plains Apache descent to enroll in the tribe.[1]
In the late 18th century, Plains Apache lived near the upper Missouri River, their 1780 population was 400.[2] The Kiowa Apache adopted many traits from the Southern Plains lifestyle of the Kiowa, while remaining ethnically distinct. It is recorded that many Kiowa Apache did not learn the Kiowa language, preferring to communicate with their allies using the sophisticated Plains Indian Sign Language, at which the Kiowa were past masters (having probably devised much of the system). The Kiowa Apache social organisation was split into numerous extendend families (kustcrae), who camped together (for hunting, gathering) as local groups (gonka). The next level was the division or band, which was a composite of a some gonkas (especially for warfare).
In pre-reservation times there were at least four local groups or gonkas who frequently joined together for warring neighboring tribes and settlements.
The Kiowa Apache with their Kiowa allies agreed to settle on a reservation in southwestern Oklahoma. Some bands of Kiowas remained at large until 1875. Some of the Lipan Apache and Mescalero Apache bands with some Comanche in their company held out in northern Mexico until the early 1880s, when Mexican and U.S. Army forces drove them onto reservations or into extinction. By the Treaty of Medicine Lodge in 1867 the Kiowa and Kiowa Apache settled in Western Oklahoma and Kansas. They were forced to move south of the Washita River to the Red River and Western Oklahoma with the Comanche and the Kiowa. The reservation period lasted from 1868 to 1906. The transition from the free life of Plains people to a restricted life of the reservation was more difficult for some families than others.[6] The 1890 Census showed 1,598 Comanche at the Fort Sill reservation, which they shared with 1,140 Kiowa and 326 Kiowa Apache.[7]

[edit]


Saturday, August 11, 2012

Otherworldly Trees of Oklahoma

Quintus's River Birch, 48" x 43 1/4", colored pencil on acrylic ground on panel
by Fran Hardy copyright

These are some of the trees that will be in the exhibition I am curating at the Mabee-Gerrer Museum of Art which will also include the work of the artists we interviewed for the our documentary " Earth Chronicles Project, The Artist's Process: Oklahoma". The documentary will be airing on OETA, Oklahoma PBS September 13, 2012 at 7 pm. Make sure to tune in and tell all your friends. We show you special places you may never have envisioned and individuals who are passionate about the art, and saving the unique ecology and culture in Oklahoma. It is actually one of the more diverse states in terms of various ecosystems. The exhibition at the Mabee-Gerrer Museum of Art will open the following day on September 14 with a reception at 7 pm and continue until October 28th. 

This wonderful river birch pictured above was in the 60 acre preserve of Quintus Herron in Idabel Oklahoma. I was intrigued by the wonderful papery peeling bark. Look closely and you will see the faces of tree sprites hidden in the bark. I got so lost in all the detail I was afraid it would not come together but I was pleased after bringing in the shadows how it all came together.

Another wonderfully textured tree with amazing bark is the sycamore tree which loves the moisture of creek and river bottoms in Oklahoma.

Tahlequah Sycamore, 48" x 44", colored pencil over acrylic ground on panel
by Fran Hardy copyright

Apparently they can tolerate the periodic flooding of these river bottoms and many old trees have survived because they were not optimal for lumber. This piece will become part of the permanent collection of the Mabee-Gerrer Museum of Art. Tahlequah is near a beautiful stretch of the Illinois River which is endangered by poultry run-off up stream in Arkansas. Kim Baker, conservation photographer is trying to bring increased attention to the need to protect this river through her Illinois Survey which we documented for our program. I knew the river was impacted when I read not to get into the water with open sores, cuts etc. Being an avid swimmer this degradation of our waters is very distressing to me. 

More trees in the next blog post and yes we have begun shooting "Earth Chronicles Project, The Artist's Process: New Mexico" with a grant from the New Mexico Arts Council and I will be blogging about our fascinating interviews and the locations we have visited thus far. I am way behind on my blogging as we are overwhelmed with getting ready for the Oklahoma show, close captioning and mastering the documentary for PBS, and beginning on the New Mexico project. Trying to juggle scheduling and getting everything done on time. We will try not to have our projects overlap next time.
It is all an intense learning process. Bob and I have the combined skills to do all of this but we tend to take on huge commitments.

Oklahoma PBS http://www.oeta.tv/

Betula nigra (River Birch; also occasionally called Water Birch) is a species of birch native to the eastern United States from New Hampshire west to southern Minnesota, and south to northern Florida and west Texas. It is commonly found in flood plains and/orswamps.[1] It is a deciduous tree growing to 25 m (80 ft), rarely to 30 m (100 ft), high with a trunk up to 50 cm (2 ft), rarely 150 cm (5 ft), diameter, often with multiple trunks. The bark is variable, usually dark gray-brown to pinkish-brown and scaly, but in some individuals, smooth and creamy pinkish-white, exfoliating in curly papery sheets. The twigs are glabrous or thinly hairy, and odorless when scraped. Theleaves are alternate, ovate, 4–8 cm (1.5–3 in) long and 3–6 cm (1.2–2.4 in) broad, with a serrated margin and five to twelve pairs of veins. The flowers are wind-pollinated catkins 3–6 cm (1.2–2.4 in) long, the male catkins pendulous, the female catkins erect. The fruit is unusual among birches in maturing in late spring; it is composed of numerous tiny winged seeds packed between the catkin bracts.[1][2]

Native Americans used the boiled sap as a sweetener similar to maple syrup, and the inner bark as a survival food. It is usually too contorted and knotty to be of value as a timber tree.[3]

Platanus occidentalis, also known as American SycamoreAmerican planetreeOccidental plane, and Buttonwood, is one of the species of Platanus native to North America. It is usually called Sycamore in North America, a name which can refer to other types of tree in other parts of the world.
An American sycamore tree can often be easily distinguished from other trees by its mottled exfoliating bark, which flakes off in great irregular masses, leaving the surface mottled, and greenish-white, gray and brown. The bark of all trees has to yield to a growing trunk by stretching, splitting, or infilling; the Sycamore shows the process more openly than many other trees. The explanation is found in the rigid texture of the bark tissue, which lacks the elasticity of the bark of some other trees, so it is incapable of stretching to accommodate the growth of the wood underneath and the tree sloughs it off.[1]
A sycamore can grow to massive proportions, typically reaching up to 30 to 40 meters (98 to 130 ft) high and 1.5 to 2 meters (4.9 to 6.6 ft) in diameter when grown in deep soils. The largest of the species have been measured to 51 meters (167 ft), and nearly 4 meters (13 ft) in diameter. Larger specimens were recorded in historical times. In 1770, near the junction of the Kanawha and Ohio RiversGeorge Washington recorded in his journal a sycamore measuring nearly 45 feet (14 m) in circumference at 3 feet (91 cm) from the ground.[2]
The sycamore tree is often divided near the ground into several secondary trunks, very free from branches. Spreading limbs at the top make an irregular, open head. Roots are fibrous. The trunks of large trees are often hollow.
Another peculiarity is the way the leaves grow sticky, green buds. In early August, most trees in general will have—nestled in the axils of their leaves—the tiny forming bud which will produce the leaves of the coming year. The sycamore branch apparently has no such buds. Instead there is an enlargement of the petiole which encloses the bud in a tight-fit.


The Illinois River Survey is a collaborative, image-based conservation photography initiative organized by Oklahoma-based nature and conservation photographer Kim Baker. Kim began the project with the mission to create and use compelling photography that has the power to inform and change people’s minds about the need for conservation and preservation of the Illinois River, its tributaries Flint Creek and the Barren Fork River, and its impoundment Tenkiller Ferry Lake.
May 20 – 22, 2011, a team of Oklahoma photographers together with scientists, land and river managers, water officials, conservationists, and river advocates explored and documented important components of the Illinois River Watershed in a three-day photographic survey. The Survey focused on the Illinois River’s unique ecological communities, its ecosystems with an emphasis on the natural services the rivers provides and the history and unique cultural heritage of the Illinois River to the region, local river communities, and Tahlequah.